Writings

I have written quite a few articles over the years about recorders and recorder making and I felt it might be a good idea to list them all in one place:

Book

  • (1989) The Recorder: A Basic Workshop Manual. Dolce DOL 112, Brighton. Details

 Articles

  • (1990) Pflege der Blockflöte und kleinere Reparaturen. Tibia 1990/2: 106–111.
  • (1990) “Blockflötenbauer und Blockflötenspieler, ein kooperatives Verhältnis?” In Flötentage Bremen, Programme booklet, 30–33.
  • (1998) Cuidado y mantenimiento de la flauta de pico. 2a parte. Revista de Flauta de Pico 10: 17–21.
  • (2002) Two new recorder finds in Italy. Galpin Society Newsletter 4/2002: 6–7.
  • (2003) Zwei neue Blockflötenfunde in Italien. Tibia 3/2003: 500–502
  • (2004) Eine Blockflöte von Richard Haka, Gefunden im Jahre 2003 in Amsterdam. Tibia 2004/3: 187–190.
  • (2004) A recorder by Richard Haka in Amsterdam. Galpin Society Newsletter 10: 10–12.
  • (2005) An Overview of the Surviving Renaissance Recorders. In Musiques de Joie, Proceedings of the International Renaissance Recorder and Flute Consort Symposium, ed. David Lasocki Utrecht: STIMU, 2005. 69–90. download .pdf here
  • (2005) A List of Surviving Renaissance Recorders. In Musiques de Joie, Proceedings of the International Renaissance Recorder and Flute Consort Symposium, ed. David Lasocki Utrecht: STIMU, 2005. 533–537. download .pdf here
  • (2005) (with Herbert W. Myers and Boaz Berney) “An Important Case Study: the Augsburg Futteral.” In Musiques de Joie, Proceedings of the International Renaissance Recorder and Flute Consort Symposium, ed. David Lasocki Utrecht: STIMU, 2005. 513–521. download .pdf here
  • (2005) Die “Ganassiflöte” – Tatsachen Und Legenden. Tibia 4/2005: 571–84.
  • (2006) with David Lasocki. Renaissance recorders and their makers. American Recorder, January 2006: 23–35. download .pdf here
  • (2006) Einblick in die Blockflöten des Kunsthistorischen Museums Wien aus der Perspektive des Blockflötenbauers. In Die Renaissanceblockflöten der Sammlung Alter Musikinstrumente des Kunsthistorischen Museums, ed. Beatrix  Darmstädter,  Vienna: Edititon Skira. 97–121.  download English version.
  • (2006) The Ganassi recorder: separating fact from fiction. American Recorder, November 2006: 11-18. download .pdf here
  • (2007) with David Lasocki. Blockflötenbauer der Renaissance, Teil 1. Tibia 1/2007 : 322–27.
  • (2018) The Recorders “SAM 130, 140 and 148”: Rediscovery and Reconstruction. In Darmstädter, Beatrix, Rudolf Hopfner, Alfons Huber,  et al. 2018. Die Sammlung alter Musikinstrumente: Die ersten 100 Jahre = The Collection of Historic Musical Instruments : the first 100 years. Vienna: Praesens Verlag. download .pdf here
  • (2023) [forthcoming] Sets or Consorts of Recorders c1500–1670, The Galpin Society Journal, LXXVI,

 Interviews

  • (2001) „Entrevista con… Adrian Brown“ Revista de flauta de pico 17: 3–6
  • (2003) “Wenn wir alles wüssten, gäbe es für keinen einen Grund, weiterzumachen.“ Ralf Ehlert im Gespräch mit dem Blöckflötenbauer Adrian Brown. Tibia 2003/1: 332–339.
  • (2003) Interview with Adrian Brown – by Charles Fischer. ARTAfacts, 15 December 2003: http://www.buyrecorders.com/pdf_files/ABInterview.pdf

Corrections & errata

I would like to keep a list of any mistakes or misprints in my articles, particularly in the data concerning inventory numbers, pitches and so on. I would appreciate any help from readers and will try to keep the list as up to date as possible to avoid any misunderstanding.